davidc wrote:Yes I had a Fuji XT-1 I reviewed but for one reason or another didn't get it published. With the XT-2 out now it sort of feels pointless.
I like the XT-1 quite a lot. It's small, a little fliddly, but quite nice. It doesn't do anything my existing kit doesn't already offer me though, aside from form factor. If I had infinite cash I'd have got one of these Fujis for a dedicated travel camera but now the A7SII is out I'd get that instead.
Sorry, I am going to have to correct you. The X-T1 has an APS-C sensor and is still current*. It is the X-Pro1 which has recently been superseded by the X-Pro2, which has resolved a number of issues with its forebear. That does not include image quality, which is excellent and the X-Pro1's main redeeeming feature. I have shot the X-T1 a few times and concur with your comments, but for me it does not offer enough to justify a purchase. Your preference for the A7IIS suggests an interest in low light work and/or video? Given that you list higher resolution in your requirements, would 12 MP be sufficient?
davidc wrote:Also loaned an EM-5 from my cousin for a two week holiday but to be fair to him/the camera, he only had two lenses and both were long telephotos. I couldn't really find much of a use for them.
The EM-10 I thought was horrible. Awful controls and it smacked of style over substance. I've never mentioned it before because I didn't want you to think I was having a pop at your EM-10
I did think it was pretty good during the day when I tried shooting birds though.
Image quality for both was fine for the day shots but I didn't bother with them at night. Overall, the biggest "pro" I felt from them was weight. The "cons" included size (too small, I have El Gigante hands), DOF limitations, AF performance (speed & accuracy)
I agree that the low light performance from the sensor in the E-M5 and E-M10 (I believe it is the same one) is not particularly good and I would not want to go above ISO 1600 unless really necessary. In terms of controls, both are similar and I find that the position of the dials works better for me than the E-M1, mainly due to my having the camera on a wrist strap. The position of the front dial made it too easy to move indavertently, but the placement on the E-M5/10 keeps it out of the way. When I bought it, the E-M10 fell midway between the two more expensive cameras. It was better than the E-M5 and had most of the features which were important to me from the E-M1, including the improved menu system. One downside is the smaller form factor and I found handling was much transformed when I added the well made grip, which is expensive given what it must cost to manufacture and adds no additional functionality to the camera.
The camera has worked well for me and apart from the camera being slightly too small I have not experienced the same issues as you. From what you have written both on this thread and previously, we have different approaches to our photography and the type of shots we take, so it is natural that we will be looking for different things in our cameras. There is nothing wrong with that and our opinions are equally valid. The world would be a remarkably boring place if everyone thought and did the same thing.
davidc wrote:I'm on about the 10th rewrite of my own blog piece about M43. It's hard to put opinion pieces over without it sounding ranty and I wonder if this particular "flavour of the week" discussion has passed now anyway. I wonder if the only person who would be bothered at this stage is you
That's a pity, although I am sure that you would find others would be interested. From what you have said in this thread I suspect I can guess what the article would say.
* I would not be surprised if many of the enhancements from the X-Pro2 made their way into an X-T2 in time for Photokina and then an X-T20 sometime next year.