Peter Boughton wrote:I like the effect here, but think it would benefit from increased contrast - maybe using histogram/curves or clarity.
Some club judges would comment about the perspective not being corrected (the tall building on the right seems to be leaning slightly?), but others wouldn't care.
Clarity was at 85% and I tweaked the curve as high as I dare which resulted in this. Normally I agree that mono/duo-tone benefits from high contrast but after fiddling with that I ended up with something I preferred
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The building on the right - got the ruler out and it does have a tiny lean to the left. Personally I don't think it's overly noticeable but I'll try putting it back into photoshop to see if it improves it.
Mike Farley wrote:An striking effect, although by doing a series you will be dependent on variation within the structures to maintain interest. You will need to experiment to see if it works with older buildings, which might not suit a blue/grey colouring. I am thinking about the classical architecture at Greenwich, for example. For this shot, I hesitate to say it as you and I have been down this road before, but cropping some of the water to make it more of a panoramic might have helped.
Never hesitate to say it, the worst I'll do is disagree with you
I considered it but liked the texture in the water (different as it is to the sky) but maybe I could lose a bit off the bottom. That would move the horizon up off the third though and centre it?
However I think I may have dust on my sensor, or perhaps it's just raindrops on the CPL filter I used - in the water there's a smudge in the shadow of the building to the right and there were a couple in the clouds I cloned out. Think I need to check how my sensor is looking just in case.
Thanks for the comments. I actually prefer it when people say "hmm I don't like this/prefer that/have you considered this" because it means I then consider it too, or get to justify the decision. Something you don't get a chance to do in competitions
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