Snowdrops at Compton Valence
Posted: Wed 07 Feb 2018, 18:37
Compton Valence in Dorset is famed for its annual display of snowdrops. It dates from many years ago when a former resident planted thousands of bulbs in the banks around the village. There is no other location of which I know where it is possible to see so many snowdrops in one place. I was a bit late getting there as the flowers are getting past their best and the official end date is in a couple of days time. I have tidied the shot up a bit, but there is still more to be done, principally around the edges. Technical details are below the image.
The shot was handheld and the camera was a Fuji X-E2. Exposure was 1/500 @ f/2.8, ISO 250. The lens is a 58mm Helios 44M which would have started off its days on the front of a Zenit SLR. The Russians manufactured millions and at the time they were one of the cheapest ways into photography. The lenses are still relatively cheap today, although prices are rising. Mine cost £23.
Shooting handheld with a manual focus lens was not ideal. Either a tripod or an AF lens with image stabilisation would have been better. So why that lens? The answer is simple. Despite its provenance, the Helios 44 has a cult following. It is based on the Carl Zeiss Biotar which dates from 1928, which the Soviets obtained as war reparations. The old Carl Zeiss factory was in Jena, which ended up in East Germany at the end of WWII.
Anyone who is at all serious about using adapted lenses will have at least one in their camera bag. The reason for owning several is that over the years, the design went through many variations which render in slightly different ways. The lens is renowned for out of focus areas (bokeh) which are swirly due to aberrations and the 44-2 version is supposedly the best one for the effect. That rendering is what I was after, although it is more apparent on a full frame sensor and I did not really succeed with this effort. I still like the result, though.
The shot was handheld and the camera was a Fuji X-E2. Exposure was 1/500 @ f/2.8, ISO 250. The lens is a 58mm Helios 44M which would have started off its days on the front of a Zenit SLR. The Russians manufactured millions and at the time they were one of the cheapest ways into photography. The lenses are still relatively cheap today, although prices are rising. Mine cost £23.
Shooting handheld with a manual focus lens was not ideal. Either a tripod or an AF lens with image stabilisation would have been better. So why that lens? The answer is simple. Despite its provenance, the Helios 44 has a cult following. It is based on the Carl Zeiss Biotar which dates from 1928, which the Soviets obtained as war reparations. The old Carl Zeiss factory was in Jena, which ended up in East Germany at the end of WWII.
Anyone who is at all serious about using adapted lenses will have at least one in their camera bag. The reason for owning several is that over the years, the design went through many variations which render in slightly different ways. The lens is renowned for out of focus areas (bokeh) which are swirly due to aberrations and the 44-2 version is supposedly the best one for the effect. That rendering is what I was after, although it is more apparent on a full frame sensor and I did not really succeed with this effort. I still like the result, though.